Trophies, 2026,
    aluminum castings, 9 cm each

    V-2 rocket turns into rectal dilators.
    CCA Tel Aviv-Jaffa toilet.
    Created as part of Clalit research group, directed by Naama Arad and Michal Helfman.

















    RUNAROUND, duo exhibition, curated by Tamar Margalit
    ​Art Cube Artists' Studios, Talpiot, Jerusalem
    On view through March 27, 2026






      Field, 2025
      two identical 3D-printed PLA objects on an aluminum shelf
      24 × 8 × 9 cm (each)

      Rewilding, Parterre Projects, curator: Amalia Arieli


















      How Many Hours is Considered Ghosting,
      HaBayit Theater, Train 22,
      Installation view







      Boxer
      Photogrammetry scan, Computer-Generated Imagery
      Still from video loop


      Between its Wings
      Photogrammetry scans, Computer-Generated Imagery, Lenticular print on plastic sheet,
      30 × 40 cm


      Installation view

      As an outcome of being hosted at the “Harakevet 22” space, while embracing the memory of its previous purpose as a sex shop, artists Hadas Hay and Ben Alon transform the space into a new territorial backstage. The space functions as an area with an internal memory code, devoid of human symbols and inhabited figure presences.
      Upon entering the space, the wall is made of ceiling panels, dropping its shadow on soul candles that once lit, recreate the intuitive action of the candlelighters who lit candles through a defensive action expressing a wish for peace and mourning over the collapse of the process.
      - Meital Aviram

      As you approach the storefront window in the evening, a terrifying dog looms before you, standing at the edge of the window on the opposite side. It is, in fact, a dark screen onto which the figure of a boxer dog statue is projected, resembling a mythical creature. Its body is stained with bright fluorescent red, and its eyes shine like two piercing greenish lights, emitting an eerie and paralyzing glow. This is how the guardian of the gates of the underworld appears. To enter, one must face the gatekeeper and simultaneously overcome the fear and shame that reside within.
      - Uzi Tzur

      How Many Hoers Is Considered Ghosting, HaBayit Theater, Train 22, curator: Meital Aviram, Tel Aviv, Israel.